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There’s also a tremendous performance turned in by veteran character actor Bill Sage. Modine is very good, Scott’s transformation growing on me as things went along. As for the others, while their overall diversity is refreshing, that does not mean any of them are all that memorable, and the only one who does make a lasting impression I don’t want to mention, as this has more to do with the gorily crushing viciousness of their demise than it does with their actual character. Bradley has the biggest part, but even he disappears for long stretches of the tale, his final appearance not having anywhere near the emotional resonance I can’t help believe was intended. Vega makes all of this work with captivating magnetism, which is good, because the remainder of her fellow hikers don’t get much of a chance to do the same. Yet, not long after, Jen also stands up for this person when rolling over and denouncing them would be easier, refusing to pronounce them guilty as charged, even though doing so might save her own life. When one of her friends does something beyond the pale – even when their actions on the surface seem understandable, maybe even warranted – she’s the only one who calls them out. The young woman is kind, intelligent and selfless. Jen stands at the center of all the action right from the start. What they encounter, the traps they unearth and the harsh truths they are forced to learn are depicted with cutthroat ferocity, the true terror hunting them beyond anything they could have imagined beforehand. No, it is the section focused on Jen, Darius, the rest of their group and their travails once they foolishly leave the trail where all the nightmarish dramatics take place. It helps that McElroy and Nelson know why potential viewers would be interested in giving this new Wrong Turn a look, and that has nothing to do with Modine playing amateur sleuth. It’s a little pointlessly convoluted, but not distractingly so, and I never had much trouble keeping track of time and understanding what was happening when. The story is essentially split into two parts: one following Scott as he learns from townsfolk about the dangers hikers encounter if they are foolish enough to stray off of the Appalachian Trail, and the other taking place six weeks prior and showing what sort of trouble Jen and her friends encountered during their wilderness adventure. There were moments where my heart was beating so fast I worried it was going to burst, everything building to a clever coda I didn’t see coming. Like some sort of creepy, unsettlingly nasty combination of Deliverance, The Strangers and The Village, this is a brutally uncompromising descent into unflinching terror that kept me on the edge of my seat. Instead of trotting down those same 2003 trails, McElroy instead crafts something far more grounded this time around. That’s an important distinction, one that could rile up and anger fans of the previous franchise mainly because of the absence of hungry mutant-hillbilly cannibals.
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Yet, this new version could easily exist in the same world as its Appalachian counterpart, the only thing separating the older series from this film being the state line splitting Virginia from its West Virginian cousin. This is more a top-to-bottom reinvention than it is a remake or a reboot. Nelson’s ( The Domestics) survivalist horror yarn Wrong Turn doesn’t have much in common with its same-titled 2003 predecessor or the five increasingly gory direct-to-video sequels that followed it. Don’t let the presence of screenwriter Alan McElroy fool you, director Mike P.